How much do Chicago Symphony Orchestra members make?

How much you can make as a classical musician varies wildly. According to the American Federation of Musicians or AFM, Toronto branch, hourly rates for orchestral musicians start at $106 for the leader and $53 per hour for what they call side players, with a three-hour minimum. That's scale for a freelance gig.

Most importantly a conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through gesture so transparently that the musicians in the orchestra understand it perfectly. Those musicians can then transmit a unified vision of the music out to the audience.

Violins

In modern times, the musicians are usually directed by a conductor, although early orchestras did not have one,giving this role instead to the concertmaster or the harpsichordist playing the continuo.

The three most common instruments in orchestras are the bass, the contrabass, and the euphonium. The tubas are of course the bass instrument of the brass section, but they are more than capable of playing melodies in the tenor register.

In different ensembles you will find different types of clarinets; like one or two B flat clarinets in a chamber orchestra, or a wind quintet. A small harmony band or school band will have around 12 clarinet players while big wind bands or harmony orchestras need up to 30 clarinets of all different types.

Esa-Pekka Salonen

Symphony no. 1

Orchestra seats are located in the lowest level of the theater, the same level as the stage, though, of course, the stage is raised so that it is accessible for everybody to see.

ELO were an excellent band, but not a great one. Jeff Lynne wrote very good songs with clever arrangements, and the band had its own distinctive sound. But I'd say that what sets great bands apart from the rest is that they not only have good songs and a distinctive sound, they also have amazing singers or frontmen.

Nowadays, the literature for saxophone in symphony orchestra is limited either to composers who wrote jazz-influenced pieces like Gershwin or rare composers like Ravel who simply wanted to hear a saxophone. ... Adolphe Sax's saxophones were constructed differently from instruments made by his contemporaries.

So, beating ahead gives the musicians the chance to follow the conductor's instructions with a bit of warning. ... Yet amateur orchestra conductors tend more typically to conduct on the beat, to act as a clear metronome for the musicians (Bernstein wouldn't like it, but hey-ho, it's good to be in time).

1600, "area in an ancient theater for the chorus," from Latin orchestra, from Greek orkhēstra, semicircular space where the chorus of dancers performed, with suffix -tra denoting place + orkheisthai "to dance," perhaps an intensive of erkhesthai "to go, come," but not all experts accept that (see Beekes).

The word derives from the ancient Greek part of a stage where instruments and the chorus combined music and drama to create theater. The first semblance of a modern orchestra came in the early 17th century when the Italian opera composer Claudio Monteverdi formally assigned specific instruments to perform his music.

It's so hard to find work as a violinist, that usually the less talented people choose the viola, and as viola players they manage to find work playing or teaching the viola. Well, to be in a symphony orchestra, you have to be very good indeed, but to be a soloist, you really have to be absolutely brilliant.

Woodwinds: flutes, oboes, clarinets, bassoons and related instruments. These players sit a few rows back from the conductor, in the center of the orchestra. Brass: trumpets, horns, trombones, tubas and similar instruments. These instruments are the loudest, so you'll see them at the back of the orchestra.

London Symphony Orchestra

The brass family members that are most commonly used in the orchestra include the trumpet, French horn, trombone, and the tuba.

Brass family