Bass clarinets regularly perform in orchestras, wind ensembles/concert bands, occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinetist.
It can be a chamber orchestra, which is a small orchestra of around 25 musicians, often playing strings and performing in, historically, palace chambers for royalty. A symphony orchestra is large, sometimes topping 100 members, and is organized to play symphonies (in concert halls).
But “conducting is more difficult than playing a single instrument,” claims Boulez. “You have to know the culture, to know the score, and to project what you want to hear.” A great conductor might have peerless musical instincts and intuition, but innate musicality will get them only so far.
Symphony Center
Orchestras always tune to 'A', because every string instrument has an 'A' string. The standard pitch is A=440 Hertz (440 vibrations per second). ... This is because most of the band instruments are actually pitched in B flat, and so this is their natural tuning note.
A baton is a stick that is used by conductors primarily to enlarge and enhance the manual and bodily movements associated with directing an ensemble of musicians.
Orchestrational is an adjective. The adjective is the word that accompanies the noun to determine or qualify it.
From the outset, the violin family was a favorite of musicians and composers alike for its range, flexibility, and sound. The violin family of instruments consists of four members, each a standard member of the orchestra: violins, violas, cellos, and double basses.
Instruments of the OrchestraString family. Violin. Viola [vee-OH-lah] Cello (violoncello) [CHEL-low] ... Woodwind family. Flute, Piccolo. Oboe, English horn. Clarinet, Bass clarinet. ... Brass family. Trumpet. Horn (French horn) Trombone. ... Keyboards and Harp. Celesta [cheh-LESS-tah] Piano. Harpsichord.
The typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings.
How much space does an orchestra need? This obviously depends on the size of your orchestra. On average we suggest the following minimums: 65–75 piece orchestra: 12m x 12m (or 144 sq.
Within the orchestra the piano usually supports the harmony, but it has another role as a solo instrument (an instrument that plays by itself), playing both melody and harmony.
The Stanford Symphony Orchestra (MUSIC 160/160Z) and Stanford Philharmonia (MUSIC 160A/160AZ) provide outstanding opportunities for the practice and enjoyment of orchestral music, rehearsing and performing throughout the academic year. Most concerts are performed in Bing Concert Hall.
An orchestra is the same as a team or a business. It is a single entity made up of individual people. The single entity should be referred to in the singular, hence “ the orchestra plays beautifully.”
The Brian Setzer OrchestraOriginUnited StatesGenresSwing revival, jump blues, rockabilly, rock and rollYears active1990–presentLabelsInterscope, Hollywood, Surfdog.
Dance/ElectronicPop
Podium
Orchestra instruments are grouped into four main families: the string family, the woodwind family, the brass family, and the percussion family.
Where the conductor is most influential and critical is during the rehearsal process. For every concert there are approximately ten hours of rehearsals, broken into four 2.5 hour rehearsals over the course of three to four days directly preceding the concert.
Conductor
String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor.
Concerto
Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by use of a conductor's baton. The conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble.
Since the 1960s, music theatre companies have reinforced the sound of the orchestra by placing microphones on instruments and amplifying them through a public address system. While this results in a louder sound, it may not correctly reproduce the ensemble sound and instrument tone.
The first semblance of a modern orchestra came in the early 17th century when the Italian opera composer Claudio Monteverdi formally assigned specific instruments to perform his music.