Answer:
The most important violinist in the orchestra. He or she will sit in the front seat directly to the left of the conductor. It is the duty of the concert master to tune the orchestra before a performance.
The most important violinist in the orchestra. He or she will sit in the front seat directly to the left of the conductor. It is the duty of the concert master to tune the orchestra before a performance.
A symphony orchestra will usually have over eighty musicians on its roster, in some cases over a hundred, but the actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue.
Orchestra is a broad term for any ensemble featuring a hefty lineup of strings. ... A symphony orchestra and a philharmonic are the same thing - sort of. They're the same size and they play the same kind of music. The two terms exist to help us tell different ensembles apart, especially in cities that boast multiple groups.
Leads a section of the orchestra, sometimes supervises rehearsals with the section, and assigns parts to musicians.
Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for the musicians to see by use of a conductor's baton. The conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble.
Even in the United States, which was far less hidebound in terms of musical tradition, it was not until 1930 that an orchestra, in this case the Philadelphia Orchestra, hired a woman in a tenured position. Entire sections of the orchestra remained male because their instruments were considered unladylike.
Viola, stringed musical instrument, the tenor of the violin family. ... The viola's tone is darker, weightier, and warmer than that of the violin. The modern symphony orchestra contains from 6 to 10 violas. The viola is an integral member of the string quartet and larger chamber music ensembles.
Popular big band leader Glenn Miller lost his life in a plane crash during the Second World War. To this day, the exact cause of the fatal crash and the death of those on the plane with him remains a mystery. Some even believed the story of a plane crash was a cover story for a more sordid end.
Filipino conductors have also taken the helm of the MSO, including Francisco Santiago, Basilio Manalo, and later Arturo Molina. At present the MSO is composed of around 60 musicians under the music direction of Marlon Chen.
Although applied to various ensembles found in Western and non-Western music, orchestra in an unqualified sense usually refers to the typical Western music ensemble of bowed stringed instruments complemented by wind and percussion instruments that, in the string section at least, has more than one player per part.
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When you press down on the valves, they open and close different parts of the pipe. You change the pitch and sound by pressing different valves and buzzing your lips harder or softer. The brass family members that are most commonly used in the orchestra include the trumpet, French horn, trombone, and the tuba.
Most importantly a conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through gesture so transparently that the musicians in the orchestra understand it perfectly. Those musicians can then transmit a unified vision of the music out to the audience.
The Baroque period was between the years 1600 and 1750. Key features included small orchestras, with often a focus on the harpsichord or string instruments, and often polyphonic textures. Example composers would be Bach or Handel. The Classical period came after, between the years 1750 and 1820.
In that case, the clarinet becomes the de facto tuning instrument. Then there are keyboard instruments like piano, harpsichord or organ. The entire orchestra must tune to them, but the oboe still plays a role.
Conductors act as guides to the orchestras or choirs they conduct. They choose the works to be performed and study their scores, to which they may make certain adjustments (such as in tempo, articulation, phrasing, repetitions of sections), work out their interpretation, and relay their vision to the performers.
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