What note does an orchestra tune to?

The "basic" 19th-century orchestra is still around; you might see a large, expanded per- cussion section, or lots and lots of woodwinds and brass, but the orchestra still takes more or less the same form: a big string section, with smaller sections for brasses, woodwinds, percussion, harps and keyboard instruments.

A professional orchestra probably practices around 2–3 hours. For a professional group, the players can probably only practice around 2–3 hours per day (and this is focused practice, not watch the video then practice or walk around procrastinating).

The Hollywood Symphony Orchestra ®(HSO) is a large scale American symphony orchestra based in Los Angeles, California. ... Concerts often include a large massed choir from the Los Angeles area, bringing the population on stage to as many as 140 instrumentalists and singers.

The Philharmonic Society of New York

Most orchestras have four timpani of different sizes and tuned to different pitches and they are usually played by one musician, who hits the drumheads with felt-tipped mallets or wooden sticks.

An orchestra tunes itself to a very particular frequency, usually 440 hertz, a note known as A 440. The note is played by the oboist, and the rest of the orchestra tunes their instruments to match it. The oboe leads the tuning because of all the instruments, it is least affected by humidity or other weather conditions.

Although rank-and-file members of the BBC Philharmonic or City of Birmingham Symphony Orchestra are paid about £30,000 a year, wages have stagnated as funding cuts take hold. Young musicians are particularly affected, with two-fifths of newcomers taking unpaid work in the last year.

: a large orchestra of winds, strings, and percussion that plays symphonic works.

The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music. ... Typically, orchestral conductors use a baton more often than choral conductors.

Closer up on the sides, close to the aisle, can be better than center orchestra farther back. ... The mezzanine is different than the balcony-it is lower and closer to the stage (and front mezzanine seats are generally the same price as orchestra seats, while balcony seats are usually the least expensive).

Conductor

Tuba

Sarah Hicks

The bright, rather penetrating sound of the oboe was easy to hear, and its pitch was more stable than gut strings, so it was natural to rely on it for tuning (One can also imagine it settling, or preventing arguments. ... But oboes were almost always present, so they became the standard instrument for tuning.

The London Philharmonic Orchestra is one of the world's greatest orchestras.

Conductor

A concert pianist makes $50,000 per year on average. This does not include travel, dining, and other performance related costs. Some of the worlds top concert pianists make between $25,000 – $75,000 per concert. Other income includes endorsement deals, masterclass events, and album sales.

A full-size orchestra (about one hundred musicians) may sometimes be called a symphony orchestra or philharmonic orchestra; these modifiers do not necessarily indicate any strict difference in either the instrumental constitution or role of the orchestra, but can be useful to distinguish different ensembles based in ...

The guy with the stick is called a conducter and he is very important. He keeps time acting as a sort of metronome for everyone and he also indicates dynamics and such to different sections of the orchestra. Without him the orchestra wouldn't play nearly as well together.

1,224 U. S. orchestras

Technically speaking, it's not hard to conduct. The technique for a basic four-four pattern can be taught in maybe 15 minutes. After that's it's whatever nuance you want to add to your motions to express nonverbally what you want the group to do.

The first violins are on the conductor's left, then come the second violins, then the violas and then the cellos. The double basses are behind the cellos. Some conductors prefer to have the second violins on their right and the cellos between the first violins and violas (see image of the Dohnanyi Orchestra).