Closer up on the sides, close to the aisle, can be better than center orchestra farther back. ... The mezzanine is different than the balcony-it is lower and closer to the stage (and front mezzanine seats are generally the same price as orchestra seats, while balcony seats are usually the least expensive).
In music, timbre (/ˈtæmbər, ˈtɪm-/ TAM-bər, TIM-), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. ... For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume.
The percussion section sits at the back of an orchestra.
The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music. ... Typically, orchestral conductors use a baton more often than choral conductors.
An orchestra pit is the area in a theater (usually located in a lowered area in front of the stage) in which musicians perform. Orchestral pits are utilized in forms of theatre that require music (such as opera and ballet) or in cases when incidental music is required.
Piccolo
Manchester Orchestra originated in the Atlanta suburbs. They are named after the English city of Manchester, a city frequently viewed as being bohemian and also rich in musical history (The Smiths, The Fall, The Buzzcocks, The Stone Roses, Joy Division, Oasis, New Order, Happy Mondays, Magazine).
Question: Why aren't there any saxophones? The most commonly given reason for why saxophones are rarely used in orchestral pieces is because they were invented much later than the standard orchestra. ... For now, not enough pieces include saxophone to add it as a standard instrument, but who knows what the future holds.
A conductor is a person who stands in front of an orchestra or choir and directs its performance.
The conductor will instruct the ensemble how they want it played. Really, the major professional orchestras could play together in time for a concert as they play together so much, but the conductor is the one that will tell them how they want it done during the rehearsals.
A concert band has the same instruments as an orchestra, except (like a certain wooden boy) without strings. The average number of players is a little less—perhaps 50-70 players—but that still means expanded brass and woodwinds to fill in the missing string sections.
The first conclusively documented orchestral use of the snare drum was by the French composer–viol virtuoso Marin Marais in a storm scene in his opera Alcyone (1706).
The path to obtaining a job in an orchestra is somewhat straightforward. ... It is true that some undergraduates can go straight into an orchestral position, but it is rare. Secondly, study with a teacher who either has experience playing in an orchestra OR has had students get placed in an orchestra.
The Classical orchestra came to consist of strings (first and second violins, violas, violoncellos, and double basses), two flutes, two oboes, two clarinets, two bassoons, two or four horns, two trumpets, and two timpani.
Ensemble performances provide a powerful analogy to the essential leadership skills entrepreneurs must cultivate. A symphony orchestra is a real-world example of teamwork, collaboration, discipline, learning, role clarity, execution and true leadership in action.
It is his responsibility to direct the soloists and choir on the stage, and, indirectly, the off-stage choirs, as well as the orchestra players, and to coordinate this mass of human and mechanical instruments into one vast composition. The distance between him and the stage complicates matters greatly.
The brass family usually sits across the back of the orchestra. The HORN is in the back row of the orchestra, behind the bassoons and clarinets.
An orchestra, at least in Western culture, usually has a fairly specific selection of instruments from which the orchestra is comprised ("orchestral instruments"). In contrast, an ensemble can be any collection of instruments, voices, dancers. An orchestra is always an ensemble, but not all ensembles are orchestras.
People have been putting instruments together in various combinations for millennia, but it wasn't un- til about 400 years ago that musicians started forming combinations that would eventually turn into the modern orchestra. Around 1600 in Italy, the composer Claudio Monteverdi changed that.
An orchestrator takes a composer's musical sketch and turns it into a score for orchestra, ensemble, or choral group, assigning the instruments and voices according to the composer's intentions.