Why do orchestras have so many violins?

Answer:

For large symphony orchestras, there are 10 First Violinists and the same number of Second Violinists. There are about 10 singers for viola, 8 for cello and 6 for double bass. The reason that the number of violinists is so high is due to the characteristics of the violin itself and the preference of the composers.

Frequently Asked Questions

Who is the current conductor of the Chicago Symphony Orchestra?

Riccardo Muti

How much do Broadway orchestra players make?

It's different today than it was years ago, he said, "because the pay scale is quite high, and so the orchestra can get very good quality musicians." Broadway musicians earn an average of $1,000 to $1,500 a week.

What instrument do you use to tune an orchestra?

Oboe

What is the loudest instrument in orchestra?

Trumpet

Do orchestras play in equal temperament?

The violin, viola, and cello are tuned to beatless just perfect fifths and ensembles such as string quartets and orchestras tend to play in fifths based Pythagorean tuning or to compensate and play in equal temperament, such as when playing with other instruments such as the piano.

Why is the euphonium not used in the orchestra?

Why is the euphonium rarely used in orchestras? - Quora. The Euphonium has beengenerally thought of as the Tenor Tuba by Orchestral Composers. This is the reason it perhaps gets missed as a sound in its own right. It sounds like a higher pitched Tuba.

15 Related Question Answers Found:

What are the classification of Western orchestra?

The typical orchestra is divided into four groups of instruments: strings, woodwinds, brass, and percussion. The typical Western marching band, school band, or wind ensemble (woodwinds and brass together are winds) leaves out the strings, but otherwise uses most of the same instruments as the orchestra.

How much do orchestras get paid?

The potential for a stable career with excellent job security, salary and benefits. The base scale pay for members of the top American orchestras (Boston, Chicago, Cleveland, New York, Philadelphia) is approximately $2000+/week (minimum guaranteed scale).

How did the orchestra change in romantic period?

During the romantic period, the orchestra had become a great force due to its increasing size including the following: woodwind - flutes and piccolo, oboes and clarinets, bassoon and double bassoons. brass - trumpets, trombones and French horns (tuba added later in the period)

How many musicians play as part of a full size orchestra?

A full-scale orchestra playing a symphony includes at least 90 musicians, while a smaller orchestra playing a chamber piece ranges from 15 to 45. Sections of the orchestra can perform separately? a string orchestra, for example, includes about 60 musicians.

When was the violin first used in an orchestra?

The earliest violins were used for popular and dance music. During the 17th century it replaced the viol as the primary stringed instrument in chamber music. The Italian composer Claudio Monteverdi included violins in the orchestra of his opera Orfeo (first performed in 1607).

How hard is it to get into orchestra?

The path to obtaining a job in an orchestra is somewhat straightforward. First, you nearly always have to attend a great music school, at least at the Master's degree level. It is true that some undergraduates can go straight into an orchestral position, but it is rare.

What are the roles of a conductor in an orchestra?

The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music. ... Typically, orchestral conductors use a baton more often than choral conductors.

What makes a good conductor orchestra?

Unlike the master chef, the great conductor must have not only manual skills and superb taste, but the essential gifts of acute hearing and the ability to communicate with musicians in verbal and non-verbal ways. ... He is involved in choosing new musicians who, in effect, become how the orchestra plays.