Answer:
“Philharmonic,” a word we started using in English in 1813, roughly means “loving harmony.” It, too, is commonly used to describe large, multi-instrument ensembles.
“Philharmonic,” a word we started using in English in 1813, roughly means “loving harmony.” It, too, is commonly used to describe large, multi-instrument ensembles.
Symphony
A symphony is a large-scale musical composition, usually with three or four movements. An orchestra is a group of musicians with a variety of instruments, which usually includes the violin family.
Where the conductor is most influential and critical is during the rehearsal process. For every concert there are approximately ten hours of rehearsals, broken into four 2.5 hour rehearsals over the course of three to four days directly preceding the concert.
1,224 symphony orchestras
Symphony orchestra: This collective noun is given to the group that concerns the symphony part of the orchestra. For example: Symphony orchestra and conductor became the most frequently listened band in the world.
Also Called. Orchestra Member, Section Member. Orchestra musicians are classically trained musicians who rehearse, perform, and record music with an orchestra.
The most important violinist in the orchestra. He or she will sit in the front seat directly to the left of the conductor. It is the duty of the concert master to tune the orchestra before a performance.
The average employee at Boston Symphony Orchestra earns a yearly salary of $40,323 per year, but different jobs can earn drastically different salaries. Some of the job titles with high salaries at Boston Symphony Orchestra are section leader, faculty member, public relations director, and development associate.
Flom signed a multialbum deal in January 1996, giving the project a different name but using Savatage's musicians. Mr. O'Neill called the act “Trans-Siberian Orchestra,” after the railroad in Siberia, a symbol of hope in a harsh, unforgiving place, he says.
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. ... In modern classical music, composers almost invariably orchestrate their own work.
Within the orchestra the piano usually supports the harmony, but it has another role as a solo instrument (an instrument that plays by itself), playing both melody and harmony.
In the most general scenario you'd want to be somewhere in the middle of the hall, closer to the orchestra than the back wall. The front middle of the first balcony is very good too.
The City of Birmingham Symphony Orchestra
Percussion occupies the whole back row, still with kettledrums in the middle, followed by horns, trombones and trumpets in the next row, then clarinets and bassoons, and in front (just behind the violas) flutes and oboes.
How much you can make as a classical musician varies wildly. According to the American Federation of Musicians or AFM, Toronto branch, hourly rates for orchestral musicians start at $106 for the leader and $53 per hour for what they call side players, with a three-hour minimum. That's scale for a freelance gig.
The conductor is the individual who stands in front of the orchestra, starting and stopping the music, controlling the quality of the music (fast, slow, loud, soft, etc.), and in most cases, selects the music to be performed as well.
The typical orchestra is divided into four groups of instruments: strings, woodwinds, brass, and percussion.
The "basic" 19th-century orchestra is still around; you might see a large, expanded per- cussion section, or lots and lots of woodwinds and brass, but the orchestra still takes more or less the same form: a big string section, with smaller sections for brasses, woodwinds, percussion, harps and keyboard instruments.
Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts.
Lyrical and singable. What developed as a result of larger orchestras in the nineteenth century? the conductor as a central figure.
The bright, rather penetrating sound of the oboe was easy to hear, and its pitch was more stable than gut strings, so it was natural to rely on it for tuning (One can also imagine it settling, or preventing arguments. ... But oboes were almost always present, so they became the standard instrument for tuning.
The path to obtaining a job in an orchestra is somewhat straightforward. First, you nearly always have to attend a great music school, at least at the Master's degree level. ... Secondly, study with a teacher who either has experience playing in an orchestra OR has had students get placed in an orchestra.
Explanation: Lyrical and bouncy; sharp and mellow; sweet, plaintive and joyous: Strings can beautifully convey each of these, and this is why they are the heart of any orchestra. In the hands of a master performer, a stringed instrument can make you giggle one minute and weep the next.