Who has the best orchestra?

The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," "first [music] stand" or outside of the US "first desk." The concertmaster makes decisions regarding bowing and other technical details of violin playing for the violins, and sometimes all of the string players ...

Amongst all the three sections, the orchestra has some of the best seats in the theatre. ... For people who would rather not be that close to the stage, there are the elevated front mezzanine seats. The middle seats, numbered 104 to 108, in rows A to C of the mezzanine offer a great look at the stage.

Singers can significantly increase their loudness by adjusting the resonance frequencies of their vocal tract to closely match the fundamental frequency or harmonics of the pitch. ... This is because an orchestra is typically loudest around 500 Hz, with the sound level dropping off quickly at higher frequencies.

Conductor: The leader of the orchestra, who provides the beat by moving his/her arms, usually with a baton in one hand, to keep all members of the orchestra together and ensure that players come in at the correct time.

Everything you need to know to play in an orchestraFlute- The clarinet is nevergoing to adjust to you. ... Piccolo- If you are playing Beethoven 5, play louder. ... Oboe- Keep your tuner handy. ... Cor anglais- The principal oboist is not retiring or leaving any time soon.

Orchestras

Although violins have a high, singing quality, they are not particularly loud. So, just as you need more upper voices to make sure they're heard over the lower voices in a choir, you need at least two violins per woodwind or brass instrument to achieve a balanced sound.

The strings sit at the front of the stage in a fan-shape in front of the conductor. The first violins are on the conductor's left, then come the second violins, then the violas and then the cellos. The double basses are behind the cellos.

In popular use, symphony, orchestra, and philharmonic are often used interchangeably to refer to a large group of musicians assembled to play music, especially classical music. The most common (and general) term is orchestra.

The short answer is: there is no difference at all. They are different names for the same thing, that is, a full-sized orchestra of around 100 musicians, intended primarily for a symphonic repertoire.

Here lies the crucial argument: orchestra players wear black, because the audience wants to pay attention to the music – not them. Many classical music lovers believe that there should be absolutely nothing to distract from the music, not even the performers themselves. Playing in an orchestra is a group effort.

The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music. ... Typically, orchestral conductors use a baton more often than choral conductors.

The double bass, also called the string bass (pronounced “base” as in first base) or just “bass” for short, is the largest and lowest-pitched bowed stringed instrument, an octave lower than the cello.

To begin, Chamber music is music performed by a group of up to ten musicians with the name implying that it is often played in a small room. ... On the other hand, Orchestral music is that played by a largergroup of players, often comprising of a string, bass, woodwinds and a percussion section.

In an orchestra, the clarinet takes on both solo roles and the middle register of the woodwind part, while in music for wind instruments the clarinet assumes a leading role (along with the trumpet). Due to its warm timbre and all-action playing style, it is also used as a solo instrument in genres such as swing jazz.

The most commonly given reason for why saxophones are rarely used in orchestral pieces is because they were invented much later than the standard orchestra. This argument doesn't hold up though, because tuba was invented around the same time and is now a staple instrument of the brass section.

Orchestras also play with instrumental soloists in concertos. During concertos, the orchestra plays an accompaniment role to the soloist (e.g., a solo violinist or pianist) and, at times, introduces musical themes or interludes while the soloist is not playing.

The Purdue Orchestras program consists of the Purdue Philharmonic Orchestra and the Symphony Orchestra, which both boast a full complement of strings, winds, and percussion.