Answer:
There are usually one or two harps in an orchestra and they play both melody and harmony. You play the harp sitting down with your legs on either side, with the neck of the harp leaning on your right shoulder.
There are usually one or two harps in an orchestra and they play both melody and harmony. You play the harp sitting down with your legs on either side, with the neck of the harp leaning on your right shoulder.
String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor.
Beethoven would continue to expand the orchestra in his symphonies by adding parts for piccolo (Syms. 5, 6, 9), contrabassoon (Syms. 5, 9), and trombones (three in Syms.
Marin Alsop
An orchestra pit is the area in a theater (usually located in a lowered area in front of the stage) in which musicians perform. Orchestral pits are utilized in forms of theatre that require music (such as opera and ballet) or in cases when incidental music is required.
Severance Hall
A baton is a stick that is used by conductors primarily to enlarge and enhance the manual and bodily movements associated with directing an ensemble of musicians.
Kettledrums entered the orchestra in the mid-17th century; orchestral kettledrums are commonly called timpani (q. v.).
When we think of the 'traditional' layout of an orchestra, we think of the violins directly to the left of the conductor and the violas in the centre, with the woodwind and then the percussion behind them. ... In fact, the second violins used to be seated opposite the first violins, where the cellos normally are.
Paul O'Neill
The woodwind section of the orchestra today, at a minimum consists of: Two flutes. Two oboes. Two clarinets.
Explanation: Lyrical and bouncy; sharp and mellow; sweet, plaintive and joyous: Strings can beautifully convey each of these, and this is why they are the heart of any orchestra. In the hands of a master performer, a stringed instrument can make you giggle one minute and weep the next.
: a large orchestra of winds, strings, and percussion that plays symphonic works.
Since the 1960s, music theatre companies have reinforced the sound of the orchestra by placing microphones on instruments and amplifying them through a public address system. While this results in a louder sound, it may not correctly reproduce the ensemble sound and instrument tone.
These characteristics ultimately divide instruments into four families: woodwinds, brass, percussion, and strings.
The tuba is the largest and lowest brass instrument and anchors the harmony not only of the brass family but the whole orchestra with its deep rich sound.
The string family contains the largest number of musicians in an orchestra. Because the sound that just one string instrument makes is much quieter than, for example, the sound that one brass instrument makes, more strings are needed to play their parts and be heard with the other instrument families.
Those twelve different sounds will sound different because they have differences in their high frequency content - all the overtones that make up the timbre of each note that make it sound like a violin, and specifically make it sound like that violin, played in that way by that player.
A professional orchestra probably practices around 2–3 hours. For a professional group, the players can probably only practice around 2–3 hours per day (and this is focused practice, not watch the video then practice or walk around procrastinating).