Where do flutes sit in an orchestra?

The orchestra, for example, was firmly established in the classical period and continued to enjoy favour in the romantic period and onwards. The difference here is in respect of the pure numbers of performers. ... Woodwind instruments developed more complex key-work to cope with the demands made by classical composers.

Most films can be orchestrated in one to two weeks with a team of five orchestrators. New orchestrators trying to obtain work will often approach a film composer asking to be hired. They are generally referred to the lead orchestrator for consideration.

Typically, orchestras play for the public in spaces with carefully engineered acoustics. The acoustics are designed so that amplification should not be needed. So, when playing for an audience, orchestras usually do not use microphones.

Three distinct types of orchestra--symphony, chamber and string--expose audiences around the world to new cultural and musical experiences each year.

She gradually moved from orchestral work to solo performances. Solo: to perform single, alone. So initially Evelyn performed in a group and as she got well in her music, as she got confident, she started performing alone. At the end of her three-year course,she had captured most of the top awards.

Clarinet players in the Wind Orchestra The seating of the orchestra however remains unchanged: Flutes and oboes left in front in the first row. The clarinet players usually sit in several rows behind this, next to them Bassoons.

A: The most obvious difference between the ensembles is the instruments that call the ensemble home. ... The orchestra also contains a wind section, but it is much smaller than a concert band. Basically, the concert band does not contain stringed instruments, except the occasional string bass or harp.

In modern times, the musicians are usually directed by a conductor, although early orchestras did not have one,giving this role instead to the concertmaster or the harpsichordist playing the continuo.

By the end of the 17th century groups of stringed instruments were being employed by leading composers and the violin family (or string section) assumed its position as the heart of the orchestra.

Franz Welser-Möst

The most major indicator of classical music's importance in society today is the fact that much of the popular music that is currently being produced uses similar beats, harmonies, and melodies as those that were used in some of classical music's best works. ...

The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," "first [music] stand" or outside of the US "first desk." The concertmaster makes decisions regarding bowing and other technical details of violin playing for the violins, and sometimes all of the string players ...

Today the term concerto usually refers to a musical work in which one solo instrument is accompanied by an orchestra.

The heart of the Classical orchestra was the string family.

The word derives from the ancient Greek part of a stage where instruments and the chorus combined music and drama to create theater. The first semblance of a modern orchestra came in the early 17th century when the Italian opera composer Claudio Monteverdi formally assigned specific instruments to perform his music.

The Romantic orchestra was the same size as the Classical orchestra (T/F). Amateur music making grew in popularity during the Romantic era (T/F). Art mirrors the great social forces of its time (T/F). ... Schubert established the Lied as a new 19th-century art form (T/F).

Hilbert Circle Theatre

Orchestras always tune to 'A', because every string instrument has an 'A' string. The standard pitch is A=440 Hertz (440 vibrations per second). ... In fact, some orchestras – even major orchestras – have gone 'modern' and use an electronic device to sound the tuning note.

There are usually 2 to 4 oboes in an orchestra and they produce a wide range of pitches, from haunting sounds to warm, velvety smooth notes, which make the sound of the oboe very memorable. In addition to playing in the orchestra, the first oboist is also responsible for tuning the orchestra before each concert.