What was the first orchestra song?

In the most general scenario you'd want to be somewhere in the middle of the hall, closer to the orchestra than the back wall. The front middle of the first balcony is very good too.

Another reason to go to an orchestra concert is the opportunity to discover new music, expanding your musical horizon altogether. ... Listening to an orchestra concert will help you experience some of the best classical music pieces made by some of the world's most famous and influential musicians of their era.

The HORN is in the back row of the orchestra, behind the bassoons and clarinets. The horn is a very long brass tube wrapped around in a circle several times. If you unwound a horn's tubing, it would be twenty-two feet in length! The TRUMPET sits to the right of the horns, and the TROMBONE sits behind the trumpet.

A C trumpet has 2 main purposes. It makes transposing in certain keys easier, and it has also become the standard instrument for most trumpeters in North America orchestras.

Instruments of the OrchestraString family. Violin. Viola [vee-OH-lah] Cello (violoncello) [CHEL-low] ... Woodwind family. Flute, Piccolo. Oboe, English horn. Clarinet, Bass clarinet. ... Brass family. Trumpet. Horn (French horn) Trombone. ... Keyboards and Harp. Celesta [cheh-LESS-tah] Piano. Harpsichord.

The bright, rather penetrating sound of the oboe was easy to hear, and its pitch was more stable than gut strings, so it was natural to rely on it for tuning (One can also imagine it settling, or preventing arguments. ... But oboes were almost always present, so they became the standard instrument for tuning.

A small orchestra with fifteen to thirty members (violins, violas, four cellos, two or three double basses, and several woodwind or brass instruments) is called a chamber orchestra. ... Larger orchestras are called symphony orchestras (see below) or philharmonic orchestras.

The Chicago Symphony Orchestra

Tampa, Florida, United States Trans-Siberian Orchestra/Origin

A conductor must communicate with and inspire others to realize this conception of the music, all the while allowing the musicians a freedom to do their best work. Achieving the narrative and musical effects a conductor seeks requires remarkable skill, sensitivity, tact and, say I, elegance and humanity.

String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor.

The most common question asked by parents and students alike is the difference between “Band” and “Orchestra.” Both are “performance-based large group music classes,” but there are differences. Band classes are made up of “Wind” and “Percussion” instruments whereas Orchestra classes are made up of “String” instruments.

The woodwind members of the orchestra are the flute, oboe, clarinet, and bassoon. There can be two, three, or four, of any of these woodwinds in an orchestra, depending on the size of the orchestra and the piece being played.

The term orchestra derives from the Greek ὀρχήστρα (orchestra), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus.

Violins are well-suited to playing melody, making them one of the most important instruments in the orchestra. Firstly, they are the highest string instrument, so their bright tone rises above the rest of the string section. Secondly, they are played with a bow, unlike woodwind or brass instrument which rely on air.

The basic principle is very simple. The more important and busy parts you have, the lower the volume, the higher the rank on the same instrument, the closer you sit to the conductor. Of the harmonization theory of Western music, the four-voice system is also applied to the orchestra.

For the purposes of this article, instrumentation refers to the body of knowledge about instruments: the mechanics of sound production and the techniques of performers. Orchestration refers to the use of technical knowledge to assign musical content to instruments in an ensemble to achieve a sonorous effect.

If your performance space has an orchestra pit, and no orchestra lift, you can cover the pit using a pit filler or pit cover. The difference between the two is a filler can have the ability to adjust its height by simply moving the legs to the desired height.

An orchestrator takes a composer's musical sketch and turns it into a score for orchestra, ensemble, or choral group, assigning the instruments and voices according to the composer's intentions.