Answer:
It's just called tuning. Also, although when to start is indicated by the violinist (usually assistant leader, as the leader will walk on with the conductor), it's actually an oboe that gives the note which everyone tunes to (an A).
It's just called tuning. Also, although when to start is indicated by the violinist (usually assistant leader, as the leader will walk on with the conductor), it's actually an oboe that gives the note which everyone tunes to (an A).
Most importantly a conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through gesture so transparently that the musicians in the orchestra understand it perfectly. Those musicians can then transmit a unified vision of the music out to the audience.
The conductor stands in front of the orchestra and directs the musicians . An orchestra can have up to 20 kinds of different instruments. Large symphony orchestras can have a hundred musicians .
The sound qualities of the instruments are very different and they do vary dramatically in the volume of sound they produce. Some musical instruments produce a very smooth sound while others can be more shrill.
A modern full-scale symphony orchestra consists of approximately one hundred permanent musicians, most often distributed as follows: 16–18 1st violins, 16 2nd violins, 12 violas, 12 cellos, 8 double basses, 4 flutes (one with piccolo as a specialty), 4 oboes (one with English horn as a specialty), 4 clarinets (one with ...
String section
Six double basses
The order of instruments as they appear in the score is always the same, with woodwind instruments at the top of the page in order from high to low, then the brass. The instruments are identified, usually in Italian (as in this example), German or French.
Orchestra: Brass. Of all the most common brass instruments used in an orchestra -- tuba, French horn, trumpet, trombone -- the trumpet has the highest pitch. According to the book "Music Listening Today," the trumpet achieves this high pitch via its three piston valves that change the length of the instrument's tubing.
Eleven to fourteen brass instruments will be found in the orchestra. The brass family usually sits across the back of the orchestra. The HORN is in the back row of the orchestra, behind the bassoons and clarinets. The horn is a very long brass tube wrapped around in a circle several times.
Orchestras are set up in so that everyone, especially section leaders, can see the conductor. The balance of volume for the audience is actually the principal reason for the seating. Percussion and Brass are louder so theyget put to the back. Context plays a huge role for the set up.
Woodwind family
BRASS. The most common band instruments that are not found in the orchestra are the baritone horn and the Sousaphone.
Sections of the Orchestra The string section is the largest in the orchestra. It is comprised of instruments that derive their musical sound from the vibration of tuned strings.
The principal conductor of an orchestra or opera company is sometimes referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent (or, in the feminine, Dirigentin).
1904
Major orchestra salaries range by the orchestra from a little over $100,000 to a little over $150,000. Principals, the ranking member of each orchestra section, can make a great deal more, in some instances more than $400,000. ... During the concert season, most orchestra musicians end up with long and intense work-weeks.
1936
Today, gamelan is an important feature of shadow puppet shows, dances, rituals, and other performances in Indonesia. Although stand-alone gamelan concerts are unusual, the music may also be heard frequently on the radio. Most Indonesians today have embraced this ancient musical form as their national sound.
Wind and brass instruments have a directional sound that naturally projects, so they are still audible from the back of the stage (usually on risers so that their sound travels over the heads of the other musicians without them having to strain to be heard).