What is the point of a conductor in an orchestra?

Orchestras always tune to 'A', because every string instrument has an 'A' string. The standard pitch is A=440 Hertz (440 vibrations per second). Some orchestras favor a slightly higher pitch, like A=442 or higher, which some believe results in a brighter sound.

There are a lot of variables, which is why no respectable contractor will list a fee on a website, but, in most larger cities in the US, for a reasonable, professional, "pickup" orchestra, figure $200ish per person for a 2-3 hour window.

From an article by Ralph Wood entitled The Piano as an Orchestral Instrument (which is dated 1934, so maybe there's more recent scholarship): So far as I know, the earliest composer to add the piano to his "battery" was, as might be expected, Berlioz. In Lélio [1832–ed.]

Orchestra members have to work together to make music. Children learn to wait to play their instrument at the proper time, learn to adjust to fit their movements and sounds with those of others. They are learning how to cooperate and collaborate, they are learning sympathy and empathy.

Top Ten ConductorsArturo Toscanini. 76 votes. (7%)Sir Thomas Beecham. 57 votes. (5.3%)Sir Malcolm Sargent. 29 votes. (2.7%)Herbert von Karajan. 219 votes. (20.2%)Sir Georg Solti. 116 votes. (10.7%)Leonard Bernstein. 201 votes. (18.6%)André Previn. 64 votes. (5.9%)Sir Simon Rattle. 229 votes. (21.1%)Item lainnya...

There are 2 to 4 trumpets in an orchestra and they play both melody and harmony and also support the rhythm. You play the trumpet by holding it horizontally, buzzing your lips into the mouthpiece, and pressing down the three valves in various combinations to change pitch.

There were two types of Baroque concerto - the concerto grosso and the solo concerto. Concertos of both typesgenerally have three movements – fast, slow, fast. The Baroque concerto grosso: is written for a group of solo instruments (the concertino) and a larger ensemble (the ripieno)

From Elgar to Previn and Michael Tilson Thomas to Sir Simon Rattle, the LSO has been blessed with some illustrious Principal Conductors and Music Directors. In it's 116-year history, the Orchestra has been led under the baton of 16 great conductors.

A symphony orchestra and a philharmonic are the same thing - sort of. They're the same size and they play the same kind of music. ... “Symphony orchestra” is a generic term, whereas “philharmonic orchestra” is always part of a proper name.

Symphonic Dances Form West Side Story was premiered by the New York Philharmonic on February 13, 1961, but the conductor was Lukas Foss.

There is usually at least one bass trombone in a symphony orchestra. Made of about sixteen feet of tubing, the tuba is the lowest-sounding member of the brass family. It is one of the newest instruments in the orchestra, having first appeared in the mid-19th century.

A baton is a stick that is used by conductors primarily to enlarge and enhance the manual and bodily movements associated with directing an ensemble of musicians.

Closer up on the sides, close to the aisle, can be better than center orchestra farther back. ... Mezzanine seating can offer a more panoramic view and, if you're in the first row or two, you'll often be closer to the stage than you would have been in the orchestra.

Second chair means that you're still very good at your instrument. You don't have the same leadership responsibility as first chair. Sure you might be called upon when they are sick once or twice a year. Instead, you have to follow first chair's lead, even if you don't fully agree.

D'instrumentation et d'orchestration modernes (1844; A Treatise upon Modern Instrumentation and Orchestration) dealt with the ranges, mechanical problems, and sound qualities of all wind instruments, including newly invented ones.

Violin

Leader Paul O'Neill

Throughout the 17th century, orchestras were not much larger than about 18-20 members, and the composer was usually a performer, often on the harpsichord or violin. This meant that there wasn't really a director.

In an orchestra, the viola often has a larger role, providing the middle space between the violins and the lower strings. The viola is built on the same lines as the violin but is slightly larger. ... In the Baroque era, the viola was largely used for filling in harmonies.