Answer:
Good orchestration must: Make formal sense: Changes of orchestration must arrive at appropriate places, with appropriate degrees of contrast. Supply sufficient variety and freshness of color to maintain interest. Enhance the phrasing.
Good orchestration must: Make formal sense: Changes of orchestration must arrive at appropriate places, with appropriate degrees of contrast. Supply sufficient variety and freshness of color to maintain interest. Enhance the phrasing.
Glockenspiel, (German: “set of bells”) (German: “set of bells”) percussion instrument, originally a set of graduated bells, later a set of tuned steel bars (i.e., a metallophone) struck with wood, ebonite, or, sometimes, metal hammers. ... The glockenspiel became part of the orchestra in the 18th century.
This nine-piece group was known for its legendary soloists including, Joe Keyes and Oran 'Hot Lips' Page on trumpet, Buster Smith and Earle Warren on alto saxophone, Lester Young on tenor saxophone, Dan Minor on trombone, and a rhythm section made up of Jo Jones on drums, Walter Page on bass and Basie on piano.
A symphony is a large-scale musical composition, usually with three or four movements. An orchestra is a group of musicians with a variety of instruments, which usually includes the violin family.
Through the years, the music industry in Singapore grew having Western-influenced performances by the Singapore Symphony Orchestra as well as ethnic music performances mainly by the Singapore Chinese Orchestra.
10 to 30 players
As well as being capable of extreme virtuosity the flute can create beautiful sustained melodies. It also blends perfectly with all instruments and spends much of its time providing background colour to foreground activity elsewhere in the orchestra. The flute is the highest pitched instrument of the woodwind section.
The strings sit at the front of the stage in a fan-shape in front of the conductor. The first violins are on the conductor's left, then come the second violins, then the violas and then the cellos. The double basses are behind the cellos.
A modern full-scale symphony orchestra consists of approximately one hundred permanent musicians, most often distributed as follows: 16–18 1st violins, 16 2nd violins, 12 violas, 12 cellos, 8 double basses, 4 flutes (one with piccolo as a specialty), 4 oboes (one with English horn as a specialty), 4 clarinets (one with ...
80 BPM
Jeff LynneSince 1970
The 68-year-old Dutch violinist and conductor juggles spending quality time with his wife, children and grandchildren with his hectic schedule travelling the world with his orchestra – and he has now revealed exactly how he does it and his secret to his blissful happiness with Marjorie, four decades on.
When we think of the 'traditional' layout of an orchestra, we think of the violins directly to the left of the conductor and the violas in the centre, with the woodwind and then the percussion behind them. ... In fact, the second violins used to be seated opposite the first violins, where the cellos normally are.
In time, the recorder was replaced in the orchestra by woodwind instruments that were newer or being enhanced, such as the oboe and flute. Our contemporary interest in historically informed performance has returned the recorder to the concert stage.
In the orchestra, the oboist plays a very important role. The oboe section sits in the center of the orchestra next to the flute section. ... The other key role of the oboe is that it usually carries the melody with its lyrical and mournful color, often heard as the solo instrument in the most emotional sections of music.
Concertmaster
About 90 minutes to two hours
The path to obtaining a job in an orchestra is somewhat straightforward. First, you nearly always have to attend a great music school, at least at the Master's degree level. ... Secondly, study with a teacher who either has experience playing in an orchestra OR has had students get placed in an orchestra.Ещё
People have been putting instruments together in various combinations for millennia, but it wasn't un- til about 400 years ago that musicians started forming combinations that would eventually turn into the modern orchestra. Around 1600 in Italy, the composer Claudio Monteverdi changed that.
Beethoven would continue to expand the orchestra in his symphonies by adding parts for piccolo (Syms. 5, 6, 9), contrabassoon (Syms. 5, 9), and trombones (three in Syms.