At its most basic, an orchestra is a large instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. ... A full-size orchestra (eighty to one hundred musicians or more) may be called a symphony orchestra.
An orchestrator is a trained musical professional who assigns instruments to an orchestra or other musical ensemble from a piece of music written by a composer, or who adapts music composed for another medium for an orchestra.
It's motivating to be so connected with those around you that you have synchronized breathing with them. Many times, different instruments will know each other's parts so well that they will breathe, move, and focus on the same things at the same time. There is also a feeling of power when playing in an orchestra.
The director of a play and an orchestra conductor are similar in many ways because both manage the team involved in the whole production to give the required performance. Both plan an output, break it up into pieces and assign the parts to the respective person in the team.
The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music. ... Typically, orchestral conductors use a baton more often than choral conductors.
Orchestration Rates The American Federation of Musicians Union sets the rates from time to time, which come in around $26 to $65 per page for orchestration. Orchestrators with a proven track record earn the best rates.
The term orchestra derives from the Greek ὀρχήστρα (orchestra), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus.
The smallest full orchestra without any qualifying title would need 40–50 musicians. They would include full wind, brass, and percussion sections, which gets you up around 20+; you also need several desks of strings, maybe 8.6.
1983–1986: Secret Messages, Balance of Power, disbanding Lynne, discouraged by the dwindling crowds on the Time tour, CBS's order to cut Secret Messages down to one disc, and his falling out with manager Don Arden (he would eventually leave Arden and Jet by 1985), decided to end ELO in late 1983.
1920s
I think the school orchestra is a great learning experience which helps give students fantastic opportunities to both perform and practice as a group, instead of on your own. It allows you to be aware of your own faults as well as what you can do to help make your school orchestra better.
And why do they need them? A symphony orchestra is usually made up of (give or take) around ten first violins and ten second violins, ten violas, eight cellos and six double basses.
Chamber orchestra
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Women were not allowed in Baroque orchestras. Ask students to speculate on the reasons for this rule.
And when a classical orchestra gathers on stage, the strings are at the front, followed by woodwinds, brass, and then percussion.
Question: Why aren't there any saxophones? The most commonly given reason for why saxophones are rarely used in orchestral pieces is because they were invented much later than the standard orchestra. ... For now, not enough pieces include saxophone to add it as a standard instrument, but who knows what the future holds.
Each instrument has unique characteristics, such as the different ways they produce a sound, the materials used to create them, and their overall appearance. These characteristics ultimately divide instruments into four families: woodwinds, brass, percussion, and strings.
Four families
Broadway musicals always have live music, and Broadway performers always sing live. Hamilton music in the theatre is maybe about 5% recorded if not less. But the pre-recorded sounds are still triggered manually by the drummer.
A large group of musicians who play together on various instruments, usually including strings, woodwinds, brass instruments, and percussion instruments. b. The instruments played by such a group. 2. The area in a theater or concert hall where the musicians sit, immediately in front of and below the stage.
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Guitar. Al Pitrelli. Vocals. Andrew Ross. Guitar. Angus Clark. Vocals. April Berry. Strings. Asha Mevlana. Vocals. Ashley Hollister. Drums. Blas Elias. Storyteller. Bryan Hicks.
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