What are the types of orchestra?

I think the school orchestra is a great learning experience which helps give students fantastic opportunities to both perform and practice as a group, instead of on your own. It allows you to be aware of your own faults as well as what you can do to help make your school orchestra better.

Playing in an orchestra is typically harder than a band. Orchestral music is more complex and the fewer wind and percussion players are more exposed than in a band. Although marching bands may seem physically harder, playing demanding orchestra music is also physically and mentally taxing.

Flute

Bass clarinets regularly perform in orchestras, wind ensembles/concert bands, occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinetist.

A symphony is a large-scale musical composition, usually with three or four movements. An orchestra is a group of musicians with a variety of instruments, which usually includes the violin family.

Symphony

Most importantly a conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through gesture so transparently that the musicians in the orchestra understand it perfectly. Those musicians can then transmit a unified vision of the music out to the audience.

Generally speaking, they are the piccolo (highest note is the highest C on the piano, although it requires a skilled player to comfortably play the notes in the top half or so of the highest octave) and the contrabassoon (which can comfortably reach the lowest Bb on the piano, and some instruments with a low A ...

Many orchestras without full time seasons will often times utilize subs for these parts. ... More than that, nearly all the solo pieces for other instruments such as violin, flute, clarinet, or nearly any other instrument have accompanying piano parts; so the piano is an intrinsic part of playing with other instruments.

Britten

Do choir and orchestra members get paid for their service? No. All 360 members of The Tabernacle Choir and all 110 members of the Orchestra at Temple Square are unpaid volunteers who practice and perform weekly.

Creoles also ormed musical and symphonic societies. ... The Lyre Club Symphony Orchestra was one example of this musical stewardship, collaboration, cooperation and civil-rights advocacy. In New Orleans' musical community, professional and amateur musicians often played together.

In the classical era, all orchestras played without conductor, being led by the 1st violin or the soloist. ... The conductor will make sure that the volume of the instruments balances so nothing is drowned out. They also have the last word on ideas of phrasing, tempo, bowings and general style.

The word derives from the ancient Greek part of a stage where instruments and the chorus combined music and drama to create theater. The first semblance of a modern orchestra came in the early 17th century when the Italian opera composer Claudio Monteverdi formally assigned specific instruments to perform his music.

An orchestra is a group of musicians and instrumentalists who are led by a conductor or music director to perform music on stage. A band is a group of vocalists and musicians who play music using a comparatively smaller set of instruments than orchestras.

Nomenclature. The principal conductor of an orchestra or opera company is sometimes referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent (or, in the feminine, Dirigentin).

In 1953, Lee was the "first black musician to conduct a white symphony orchestra in the south of the States...in Louisville, Kentucky." In 1955, he was the "first musician of colour to conduct a major opera company in the US with a performance of La Traviata at the New York City Opera." He was appointed chief conductor ...

Orchestras specialising in Baroque music tend to be much smaller and more focused on string instruments. ... One result of that was that the orchestras playing Mahler's Resurrection Symphony or Stravinsky's The Firebird needed even more strings, because the sound of the non-string instruments needed to be balanced out.