The word "balcony" has a certain nose-bleed connotation, and ticket buyers are less spooked by the word "mezzanine." Front mezzanine seats are usually as good as orchestra seats, sometimes better, depending on the show. For a show with a visual sweep or intricate choreography, you might be better off in the mezzanine.
Pairs of wind instruments became an established part of the orchestra during the Classical period (approx 1750 – 1810). Through the Romantic period (approx 1810 – 1914), the number of wind and brass instruments used was expanded as composers looked to use a wider variety of sounds in their orchestral music.
Major orchestra salaries range by the orchestra from a little over $100,000 to a little over $150,000. Principals, the ranking member of each orchestra section, can make a great deal more, in some instances more than $400,000. And most major orchestras play for a season lasting only about nine- months a year.
Guitarists' interest in playing together as a group has also spawned the advent of guitar orchestras, which exist all over the world. Some of the most famous, guitar-only orchestras include The Barcelona Guitar Orchestra, the New York City Guitar Orchestra and the Cambridge Guitar Orchestra.
A symphony orchestra and a philharmonic are the same thing - sort of. They're the same size and they play the same kind of music. ... “Symphony orchestra” is a generic term, whereas “philharmonic orchestra” is always part of a proper name.
Concerto. noun. a piece of music for a musical instrument and an orchestra.
There is no official dress code, but you'll seeguests wearing everything from jeans to cocktail dresses. Most guests opt for business attire or business casual. Some people enjoy dressing up and making a special night of it, others prefer to dress more laid back. Generally, the only tuxes you'll see are on stage.
Orchestra. In an orchestra, the concertmaster is the leader of the first violin section. ... They lead the orchestra in tuning before concerts and rehearsals, and other technical aspects of orchestra management.
But “conducting is more difficult than playing a single instrument,” claims Boulez. “You have to know the culture, to know the score, and to project what you want to hear.” A great conductor might have peerless musical instincts and intuition, but innate musicality will get them only so far.
Subbing in is a common way for aspiring pit orchestra musicians to get their first experience on a big show. Deep instrumental proficiency. Multi-instrumentalism. Reading music notation. Wide repertoire. Collaboration. Reliability. Flexibility. Networking.
When we think of the 'traditional' layout of an orchestra, we think of the violins directly to the left of the conductor and the violas in the centre, with the woodwind and then the percussion behind them. ... In fact, the second violins used to be seated opposite the first violins, where the cellos normally are.
Excellent work ethics and attention to details Come prepared with music, pencil/eraser, stand (if necessary), tuner, relevant instrument equipment, back-up strings, water bottle, etc. Commit to your private practice. Over-practice difficult passages so you're "safe" if any unexpected tempo changes occur.
'The most obvious role of the Leader is liaising with the conductor in rehearsals to help the Orchestra interpret their ideas and make them sound as they imagine. This mainly affects the string section, but may also influence the rest of the Orchestra.
One hundred musicians
Three distinct types of orchestra--symphony, chamber and string--expose audiences around the world to new cultural and musical experiences each year.
Make formal sense: Changes of orchestration must arrive at appropriate places, with appropriate degrees of contrast. Supply sufficient variety and freshness of color to maintain interest. Enhance the phrasing. Ensure clarity of the various musical elements: Every element should be audible.
When we think of the 'traditional' layout of an orchestra, we think of the violins directly to the left of the conductor and the violas in the centre, with the woodwind and then the percussion behind them. ... In fact, the second violins used to be seated opposite the first violins, where the cellos normally are.
String bass
The brass family usually sits across the back of the orchestra. The HORN is in the back row of the orchestra, behind the bassoons and clarinets.