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Symphony orchestras in larger cities such as St. Louis or Atlanta would cost between $50,000 and $100,000 for the same kind of program. The very idea of an orchestra for hire offends some people.
Symphony orchestras in larger cities such as St. Louis or Atlanta would cost between $50,000 and $100,000 for the same kind of program. The very idea of an orchestra for hire offends some people.
How much you can make as a classical musician varies wildly. According to the American Federation of Musicians or AFM, Toronto branch, hourly rates for orchestral musicians start at $106 for the leader and $53 per hour for what they call side players, with a three-hour minimum. That's scale for a freelance gig.
According to a 2004 article in the Guardian, "black conductors are rare in the classical music world and even in symphony orchestras it is unusual to see more than one or two black musicians." Canadian-born black conductor Kwamé Ryan, who studied music at Cambridge University and in Germany, made his professional ...
Baroque Orchestra (1600-1760) In Baroque music, strings were the most important part. Baroque orchestras had from 10 to 30 players, primarily strings.
(Smaller orchestras—those with about 25 people—are often called chamber orchestras). As a noun, the word philharmonic can refer to a symphony orchestra or to the organization that sponsors it (sometimes called a philharmonic society, in which philharmonic is used as an adjective).
The word "balcony" has a certain nose-bleed connotation, and ticket buyers are less spooked by the word "mezzanine." Front mezzanine seats are usually as good as orchestra seats, sometimes better, depending on the show. For a show with a visual sweep or intricate choreography, you might be better off in the mezzanine.
Four sections
And when a classical orchestra gathers on stage, the strings are at the front, followed by woodwinds, brass, and then percussion.
Conductor, in music, a person who conducts an orchestra, chorus, opera company, ballet, or other musical group in the performance and interpretation of ensemble works.
Orchestras most often play classical, instrumental music and you can quickly identify them by their characteristic mix of instruments from four main instrument families (more on those later). When orchestras are really large, we call them symphony orchestras.
Manchester OrchestraOriginAtlanta, Georgia, United StatesGenresIndie rock alternative rock indie folk art rock emo post-hardcoreYears active2004–presentLabelsFavorite Gentlemen Sony Loma Vista Concord.
Orchestras always tune to 'A', because every string instrument has an 'A' string. The standard pitch is A=440 Hertz (440 vibrations per second). ... In fact, some orchestras – even major orchestras – have gone 'modern' and use an electronic device to sound the tuning note.
Orchestras always tune to 'A', because every string instrument has an 'A' string. The standard pitch is A=440 Hertz (440 vibrations per second). Some orchestras favor a slightly higher pitch, like A=442 or higher, which some believe results in a brighter sound.
Concertmaster
The Classical orchestra came to consist of strings (first and second violins, violas, violoncellos, and double basses), two flutes, two oboes, two clarinets, two bassoons, two or four horns, two trumpets, and two timpani.
In the 18th century in Germany, Johann Stamitz and other composers in what is known as the Mannheim school established the basic composition of the modern symphony orchestra: four sections, consisting of woodwinds (flutes, oboes, and bassoons), brass (horns and trumpets), percussion (two timpani), and strings (first ...
Introduction. A concerto (from the Italian: concerto, plural concerti or, often, the anglicized form concertos) is a musical composition usually composed in three parts or movements, in which (usually) one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band.
The four most commonly used instruments in the string family are the violin, the viola, the cello and the double (string) bass.
The primary responsibilities of the conductor are to unify performers, set the tempo, execute clear preparations and beats, listen critically and shape the sound of the ensemble, and to control the interpretation and pacing of the music.