Most importantly a conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through gesture so transparently that the musicians in the orchestra understand it perfectly. Those musicians can then transmit a unified vision of the music out to the audience.
The problem is, a symphony orchestra playing full out can easily reach 96 to 98 decibels, and certain brass and percussion instruments have registered 130 to 140 at close range.
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London
The Baroque period was between the years 1600 and 1750. Key features included small orchestras, with often a focus on the harpsichord or string instruments, and often polyphonic textures. Example composers would be Bach or Handel. The Classical period came after, between the years 1750 and 1820.
Leopold Stokowski
The Classical orchestra came to consist of strings (first and second violins, violas, violoncellos, and double basses), two flutes, two oboes, two clarinets, two bassoons, two or four horns, two trumpets, and two timpani.
You can hear them from underneath the stage in the “pit” when you go see a musical, a ballet, or an opera. When you watch movies, TV, or play videogames, you can hear often hear orchestras play in the background as the soundtrack.
A sustained melody is played either by the bamboo flute (suling) or by a bowed stringed instrument (rebab) or is sung—the last especially when, as often occurs, the gamelan is used to accompany theatrical performances, or wayang. The voice is then part of the orchestral texture.
The orchestration layer in the cloud manages the interactions and interconnections between cloud-based and on-premises components. These components include servers, networking, virtual machines, security, and storage. ... The goal of the orchestration layer is to optimize and streamline frequent, repeatable processes.
The percussion family is the largest in the orchestra. ... The most common percussion instruments in the orchestra include the timpani, xylophone, cymbals, triangle, snare drum, bass drum, tambourine, maracas, gongs, chimes, celesta, and piano.
An opus number is the work number assigned for a composition, or a set of compositions, in the approximate order in which a composer wrote something. You will often see the word abbreviated to Op. or Opp. for more than one work.
An orchestra tunes itself to a very particular frequency, usually 440 hertz, a note known as A 440. The note is played by the oboist, and the rest of the orchestra tunes their instruments to match it. The oboe leads the tuning because of all the instruments, it is least affected by humidity or other weather conditions.
Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use othergestures or signals such as eye contact. ... However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be played or sung.
90 musicians
Eleven to fourteen brass instruments will be found in the orchestra. The brass family usually sits across the back of the orchestra. The HORN is in the back row of the orchestra, behind the bassoons and clarinets. The horn is a very long brass tube wrapped around in a circle several times.
Why didn't the saxophone find its way into the orchestra? ... Adolphe Sax's saxophones were constructed differently from instruments made by his contemporaries. At the time, manufacturers constructed musical instruments by buying pre-made parts from part shops, which they would then fasten together to make an instrument.
The bright, rather penetrating sound of the oboe was easy to hear, and its pitch was more stable than gut strings, so it was natural to rely on it for tuning (One can also imagine it settling, or preventing arguments. ... But oboes were almost always present, so they became the standard instrument for tuning.
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Transitive verb. 1a : to compose or arrange (music) for an orchestra The composer orchestrated the music for the symphony orchestra.
The plural form of orchestra is orchestras.
1,757 symphony orchestras
The potential for a stable career with excellent job security, salary and benefits. The base scale pay for members of the top American orchestras (Boston, Chicago, Cleveland, New York, Philadelphia) is approximately $2000+/week (minimum guaranteed scale).