Answer:
Yes. It ultimately depends on the piece. Factors include when it was written, how many people there are and how complex it is to put and keep together.
Yes. It ultimately depends on the piece. Factors include when it was written, how many people there are and how complex it is to put and keep together.
Manoe
Along with 10 pit musicians—a pop rhythm section (drums, percussion, guitar, bass, two keyboards) and a string quartet (two violins, viola, cello)—Lacamoire creates the "Hamilton" sound. (Lacamoire also plays keyboards, giving him a total of five hats to wear.)
The Sections of the Orchestra. The typical orchestra is divided into four groups of instruments: strings, woodwinds, brass, and percussion.
Brass Family
Conductor Arturo Toscanini
The work consists of a collection of movements which derive from other works by the composer. It is also named Suite for Variety Stage Orchestra, for example in Derek Hulme's Shostakovich catalogue. For many years the Suite for Variety Orchestra was misidentified as the lost Suite for Jazz Orchestra No.
Trans-Siberian Orchestra
Baroque Orchestra (1600-1760) The woodwind and brass were used as melodic instruments but later they were mainly used to sustain the harmony.
Six double basses
The Classical orchestra came to consist of strings (first and second violins, violas, violoncellos, and double basses), two flutes, two oboes, two clarinets, two bassoons, two or four horns, two trumpets, and two timpani.
Both the director and conductor directs a group of people for a specific outcome, to produce a play and to produce a musical show respectively. More so, both work with a bunch of people, the director works with the crews involve in the production of play and the conductor works with an ensemble musicians.
They sit in twos, sharing a stand. They usually sit with the most experienced at front, to help the less experienced with bowing etc. Orchestras are set up in so that everyone, especially section leaders, can see the conductor.
The guy with the stick is called a conducter and he is very important. He keeps time acting as a sort of metronome for everyone and he also indicates dynamics and such to different sections of the orchestra.
1716 The earliest known orchestral use of the clarinet was in the chorus "Plena nectare" from Vivaldi's oratorio "Juditha Triumphans." 1718 Caldara's opera "Ifigenia in Aulide" may be the first to use clarinets but it is possible that these parts were intended for clarini not clarinets.
Four flutes